
Section 3: Fit for the Emperor
The emperors, who ruled China’s vast lands, had ceramics made especially for them. No one else was allowed to use them. Come read a letter from a new government official, responsible for overseeing the creation of sacred royal art pieces.
16th year of the Kangxi reign (European year 1677)
Dear Cousin:
I wanted to share my good news with you. It may not sound very exciting to you in the army, but I am thrilled because I have just passed my exam to be an official of the Chinese government! I will be very proud to serve, the Kangxi emperor, in the Imperial Parks Department. There we will supervise the rebuilding of the great kilns at Jingdezhen, destroyed by rebels during the turmoil that followed the end of the Ming dynasty.
As you know, the Kangxi emperor is a great emperor, the second of the Qing dynasty. He is truly like the imperial dragon that appears on the ceramics, clothing, and furniture that only he is allowed to use. With the help of you and the army, he has helped bring China together again. It is once again the center of the universe.
See the green five-clawed dragon twisting through the clouds on this plate? The five claws tell us this is an imperial dragon.

Cup with dragon
Qing dynasty (1662–1911)
Porcelain, glaze
1.8 in. high x 2.25 in. diameter
Estate of Mr. and Mrs. Wilmont Gordon
1990.14.19

Charger (large platter) with dragon
Qing dynasty (AD 1644–1911)
Kangxi period (1662–1722)
Porcelain, enamel, glaze
4 in. high x 14.25 in. diameter
Gift of Mr. and Mrs. Roy Bayly
1971.91.
By becoming an official, supervising the making of ceramics for the emperor and his court, I become part of a tradition that reaches back hundreds of years. The ceramics made in Chinese kilns during the Song Dynasty are among those most highly prized by our emperors.
This Song incense burner that we use in rituals is a beautiful blue-green color the Europeans call celadon. One of the things that I learned in my studies is that the beautiful and delicate color—like a bird’s egg—comes from small amounts of iron in the glaze. When the pot or bowl or incense burner is heated very hot in the kiln, the glaze turns blue-green. We still make celadon ceramics—some for the emperor, some for use by Chinese people, and others to sell in far away lands.
By the way, some of the kilns that we use are called dragon kilns. That’s because they are tunnels that twist up along the slope of a mountain like a dragon twists through the clouds. They also become very hot, just like a dragon’s breath!

Censer (incense burner)
Song dynasty (AD 960–1279)
Stoneware, glaze (celadon)
2.75 in. high x 3.5 in. diameter
Museum purchase
(formerly in the collection of Ambassador Alexander Otto)
1994.46.5

Incense burner (Longquan ware)
Yuan/Ming dynasty
(Yuan dynasty, AD 1279–1368; Ming Dynasty, AD 1368–1644)
Stoneware, glaze (celadon)
11.5 in. high x 12 in. diameter
Estate of Ruth Prime
1991.30.16A-D
The Kangxi emperor has three empresses, and the kilns make ceramics for them too. Just as the dragon stands for an emperor, the phoenix stands for an empress. The sages say that the phoenix is the most honored among birds: It appears only when the country is at peace and there is a virtuous ruler, hiding itself at other times.
These phoenix plates are in the blue and white style and are made of porcelain, which is a very fine ceramic that we Chinese developed. Although the phoenix is a royal symbol, blue and white porcelain is sold all over the world.

Charger (large platter) with phoenix
Ming dynasty (AD 1368–1644)
Porcelain, glaze (blue and white)
3.5 in. high x 17 in. diameter
Museum purchase
(formerly in the collection of Ambassador Alexander Otto)
1994.46.10

Jar with phoenix
Ming dynasty (AD 1368–1644)
Jiajing period (1522–1566)
Porcelain, glaze (blue and white)
14.75 in. high x 13 in. diameter
Gift of Mr. and Mrs. Robert M. Snukal
2000.34.9
The Kangxi emperor is not only a great leader, but he is also a great scholar and artist. He has even learned western sciences from the Jesuit priests—especially mathematics and matters connected with calendars. We consider scholars and artists to be some of the most important people in the country—even government officials like myself strive to be poets and painters.
Calligraphy—writing poetry or stories with beautiful brushstrokes—painting, and poetry are the most important arts. Ceramics are beautiful, but they are not considered to be as important. An artist does want fine materials, however, so we make pots to hold brushes, objects to for brushes to rest on, and water droppers for scholars. This celadon brush pot, which looks a little like a tree stump, and this tiny, boldly painted rabbit water dropper will inspire a poet or painter to think of the beauties of nature.

Brush pot
Qing dynasty (AD 1644–1911)
18th century
Porcelain, glaze (celadon)
4.25 in. high
Gift of Mr. and Mrs. Robert M. Snukal
1996.44.42

Rabbit water dropper
Qing dynasty (1644-1912)
Porcelain, sancai (multicolor) glaze
2.5 in high x 3.75 in. long
Estate of Mr. and Mrs. Wilmont Gordon
1990.14.41

Roof tile (lion dog)
Ming dynasty (AD 1368–1644)
Terra cotta, glaze
16 in. high x 4.5 in. wide x 21 in. deep
Gift of Ms. Jane Hood
1984.29.2
The kilns of China make ceramics for trade with other countries and for the imperial court. There are also many well-to-do Chinese clients of our kilns who wish to have ceramics for their households. Some even want ceramics for their roof! This noble lion dog might go on a nobleman’s roof to scare away evil spirits. The glaze is in an ancient three-color style called sancai. Perhaps if you advance through the ranks of the army, you too can have a lion dog for your roof!
Sincerely,
Your Cousin
Fit for the Emperor: Discussion
Summary
The Kangxi Emperor (1662–1722), one of the first emperors of the Qing dynasty (1644–1911) delivered an edict based on Confucian principles. Looking closely at these principles can help students understand Confucianism as well as Chinese society.
Objectives
Students will:
- deepen their understanding of Confucian principles;
- broaden knowledge of a key time in Chinese history, the beginning of the Qing dynasty, the last of China’s imperial lines;
- use Chinese ceramics as primary resources as a way of understanding China’s history and culture;
- gain insight into their own values and world views.
Time Requirements
1 class session
Discussion Questions
The Kangxi emperor was known as one of China’s most powerful and yet benevolent emperors. As part of his efforts to return order to a society torn apart by rebellion and greed during the latter part of the Ming Dynasty, the emperor handed down rules to the people of China based on Confucianism.
Developed in the sixth and fifth centuries BC, Confucianism is a way of life as much as it is a religion or philosophy. It has provided values, ethics, and a world view for Chinese and other East Asian principles for more than two millennia. Confucius emphasized family relationships, tradition, loyalty, and respect, including some ideas very familiar to most of us: “Do not do to others what you would not want others to do to you,” for example. The family provided a model of how rulers should behave: an emperor should be wise and good like a father, and the people would be inspired to be wise and good. [view Online and Print Resources for links to more information on Confucianism]
The Kangxi Emperor’s Sacred Edicts
- Esteem love of your parents and brotherly submission most highly.
- Behave with generosity toward your relatives to promote harmony and goodness.
- Cultivate peace in your neighborhood to prevent quarrels and legal actions.
- Recognize the importance of husbandry and the culture of the mulberry tree to ensure enough clothing and food.
- Show that you prize moderation and economy to prevent the lavish waste of your means.
- Value education.
- Do not follow foreign principles.
- Lecture on the laws so that the ignorant and obstinate will understand them.
- Practice courteous behavior.
- Work hard at the vocation in which you were born or trained.
- Instruct sons and younger brothers so that they will not do what is wrong.
- Put a stop to false accusations, in order to preserve the honest and good.
- Warn against sheltering deserters from the military, in order to avoid being involved in their punishment.
- Pay your taxes in full, in order to avoid being pressed for payment.
- Give alms to the poor to put an end to thefts and robbery.
- Remove enmity and anger, in order to show the importance due to the person and life.
Ask your class to discuss the following:
- Point out principles that describe family behavior, social behavior, food, clothing, political activity, military issues.
- Based on these principles, what do you think life was like in seventeenth-century China?
- Do these principles have any connection with the making of ceramics for the imperial court? with the making of luxury items? with creating items for import and sale to other countries?
- What do you think about the Kangxi emperor’s edict as a set of principles to live by? Are there any you do not agree with? Are there some that are not mentioned that you would add?
Activity
Based on your class discussion of the Kangxi emperor’s edict, ask students to write an essay or a work of fiction about this society. They can look at life during this era, backing speculations with evidence from the edicts and the Fit for the Emperor narrative, and compare it to values in their own world.
Ask students to discuss or write about their own society: this could be the larger society—the nation, the state, the community—or their own circle of friends. What rules govern this group? Are they formal (written down) or informal, perhaps understood but not spoken? How are the rules enforced? Ask them to imagine that they have been asked to write a set of edicts for the group they chose. Lists of rules should include principles governing:
- family behavior
- behavior amongst friends
- behavior between people of different ages and sexes
- what clothes should be worn when and where (and why)
- what food is eaten when
- what rules govern work and study
- what rules govern recreational activities
- how do or should people behave toward strangers? toward people in need?
What other kinds of behavior do they think should be governed? Is the list of actual rules the same as the rules they think the group ought to live by? Students might want to write their edicts in their best calligraphic handwriting and post them in the classroom.
Fit for the Emperor: Curriculum Connections
Skills:
Grades 6–8:
Chronological and Spatial Thinking
- students explain how major events are related to each other in time
- students construct various timelines of key events, people, and periods of the historical era being studied
Research, Evidence and Point of View
- students frame questions that can be answered by historical study and research
- students distinguish fact from opinion in historical narratives and stories
- students distinguish relevant from irrelevant information, essential from incidental information, and verifiable from unverifiable information in historical narratives and stories
- students assess the credibility of primary and secondary sources and draw sound conclusions from them
- students detect the different historical points of view on historical events and determine the context in which the historical statements were made (the questions asked, sources used, author’s perspectives)
Historical Interpretation
- students explain the central issues and problems of the past, placing people and events in a matrix of time and place
- students understand and distinguish cause, effect, sequence, and correlation in historical events, including the long-and short-term causal relations
- students explain the sources of historical continuity and how the combination of ideas and events explains the emergence of new patterns
Grades 9–12:
Chronological and Spatial Thinking
- students compare the present with the past, evaluating the consequences of past events and decisions and determining the lessons learned
Historical Research, Evidence and Point of View
- students distinguish valid arguments from fallacious arguments in historical interpretations
- students identify bias and prejudice in historical interpretations
- students construct and test hypotheses; collect, evaluate and employ information from multiple primary and secondary sources; and apply it in oral and written presentations
Historical Interpretation
- students show the connections, causal and otherwise, between particular historical events and larger social, economic and political trends and developments
- students recognize the complexity of historical causes and effects, including the limitations on determining cause and effect
- students interpret past events and issues within the context in which an event unfolded rather than solely in terms of present day norms and values
- students understand the meaning, implication, and impact of historical events while recognizing that events could have taken other directions
- students analyze human modifications of a landscapes, and examine the resulting environmental policy issues
Content
Grades 5–6:
- Understands the fundamental elements of Chinese society under the early imperial dynasties (e.g., policies and achievements of the Qin emperor Shi Huangdi, the life of Confucius and the fundamentals of Confucianism and Daoism, what life was like for ordinary people in ancient China as illustrated in Chinese folktales)
- Understands the role of art in conveying ideas in China
- Understands features of class structure and sources of social change in China (e.g., the effects of American crops and silver on demographic, economic, and social change in China; the stratification of Chinese society under Ming rule)
Grades 9–12:
- Understands features of cultural life in various regions of China (e.g., differences between the lifestyles and living conditions in rural areas and urban communities during the Tang Dynasty, and how urban centers influenced growth in the arts; the significance of Chinese popular culture from the Tang Dynasty onward; the place of poetry and painting in the lives of scholar-officials in China, the values of the Chinese elite, and attitudes of poets toward the common people)
- Understands how art, literature, and architecture reflect features of different cultures and religions